When people think of famous sightseeing districts in Tokyo, Asakusa is usually one of the first places that comes to mind. Visitors from around the world come to see the giant red lantern of Kaminarimon and the historic temple Senso-ji . Amid all this, there is a small but familiar “Tokyo moment” that people sometimes talk about. “I meant to go to Asakusa, but I accidentally ended up in Asakusabashi .” Because the station names sound similar, visitors occasionally get off at the wrong stop. When they step out of the station, instead of a bustling tourist area they find themselves in a calm business district. Looking around, they start wondering: “Where is Kaminarimon?” There is no need to be disappointed. Asakusa is only a few minutes away by train. And there is something else. Asakusabashi itself is actually a surprisingly interesting neighborhood. It may not have many flashy tourist attractions. But the area is filled with the atmosphere of Tokyo’s old downtown, a hist...
What We Mean by “Japanese Design” When people think of “Japanese design,” many images come to mind. Ukiyo-e prints, daruma dolls, maneki-neko, traditional patterns, or the kind of minimalism often associated with Zen. Most of these styles took shape between the medieval and early modern periods, developing into what we now recognize as a distinct Japanese aesthetic. But Japan also has designs that are far older. Some date back to a time before written records even existed—among the oldest forms of design in the country. A small, curved bead. A round shape with a hole, and a tail-like projection. It can look like a comma, or a crescent moon. This is the magatama. Most Japanese people recognize the shape instantly, even if they don’t know the name. It appears in school textbooks and museums, but also as jewelry or decorative motifs—so familiar that it’s hard to remember where you first saw it. A Shape Older Than Written History Magatama from around the 3rd century (Tokyo National Mu...